It’s the last time Ash-series character, amateur private detective, good-hearted kid with some bad habits-will go in there. One copy of everything I’ve got words in-from novels to lit journals to the honorable mention page of Best American Mystery Stories-goes into that display between the Bradbury bookends.Īnd just now I placed Potter’s Field, the fifth and final Ash McKenna novel, into that display. I think a lot of authors do this, right? We have stray piles of contributor copies and comp books we get from our publisher, but those are earmarked for giveaways or houseguests. So when I saw the bookends on sale, I bought them, and when they arrived, I used them to hold up the things that I wrote. It was the first book that knocked me on my ass and said: “This. My filing system consists of putting things in a pile until I forget about them.įahrenheit 451 was a formative book for me. I certainly can’t find it, but that doesn’t mean it isn’t here. I can’t remember if the certificate arrived or not. They were supposed to arrive with a certificate of authenticity signed by his daughter, Alexandra.

According to the website where I bought them: lumber salvaged from the home of Ray Bradbury. Blocks of wood, weathered and rough, cut from something larger. On my desk, in my home office, is a set of bookends. In this essay, Hart discusses capping a crime series: how to do it, why to do it, and under what circumstances a character could be brought back. Hart’s final Ash McKenna novel, Potter’s Field, comes out in a few weeks. He lives in New York City with his wife and daughter. His next novel, The Warehouse, will be released in 2019 and has been optioned for film by Ron Howard. He also co-wrote Scott Free with James Patterson. Rob Hart is the author of the Ash McKenna series, including New Yorked, City of Rose, South Village, The Woman From Prague, and Potter’s Field, published by Polis Books.

The warehouse rob hart movie